Revolutionary Road 2008 Full Movie HD Online Stream

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• Title: Revolutionary Road
• Year: 2008
• Duration: 1h 59m
• Rating: 7.3
• Genres: Drama, Romance

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Summary Revolutionary Road 2008

A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children.

It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.

Synopsis Revolutionary Road 2008

The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.

Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.

Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.

While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.

Now the title Revolutionary Road comes to screen.

We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.

Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.

Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.

Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.

At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.

They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.

April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.

During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.

In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.

Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.

Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.

After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.

Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.

Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.

At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.

The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.

Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.

The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.

When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.

April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.

The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.

Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.

At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.

Frank runs down the street.

The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.

We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.

In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence.

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Watch The Reader 2008 Full Movie Online Uk Streaming

Streaming The Reader 2008 Online Free Movie Streaming

• Title: The Reader
• Year: 2008
• Duration: 2h 4m
• Rating: 7.6
• Genres: Drama, Romance

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Summary The Reader 2008

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another.

In 1995, a German man reminisces about a relationship he had, as a teenager, in 1958 with an older woman. He also remembers what happened subsequent to that, including her standing trial for war crimes committed during World War 2, and the secret which denied her justice.

On a rainy day in late-1950s Neustadt in West Germany, a shivering 15-year-old tram passenger, Michael Berg, chances upon the stern tram conductor and a woman six years more than twice his age, Hanna Schmitz. A few months later, a fragrant bouquet of flowers and an inadvertent glimpse of Hanna's silken undergarments will prepare the ground for an unexpected and passionate summer-long love affair, accompanied by the life-changing ritual of having Michael narrate the classics to her. However, as their secret liaison mysteriously ends, the clandestine couple will meet again many years later, in 1966, when a now law student Michael sees a grizzled Hanna again, along with a group of Nazi SS prison guards while attending a war crimes trial. But, how can this be true, and above all, how can Michael come to terms with a dark past and an entire country's shame and guilt?

Middle aged German barrister Michael Berg recollects to himself his lifelong acquaintance with Hanna Schmitz, a relationship with whom he never disclosed to anyone close to him. Michael first met Hanna in 1958, when he was fifteen, she thirty-six. The two had a turbulent summer long love affair, dictated by Hanna that their encounters would begin with him reading to her followed by lovemaking. Michael next encountered Hanna in 1966, when Michael, now a law student, attended the Nazi war crimes trial of six female former S.S. concentration camp guards, one of whom is Hanna. Through listening to the testimony, Michael comes to the realization that he is in possession of information which could save Hanna from a life in prison, information which she herself is unwilling to disclose. In deciding what to do, Michael is torn between his differing views of justice.

Synopsis The Reader 2008

The movie begins in 1995 Berlin, where a well-dressed man named Michael Berg (Ralph Fiennes) is preparing breakfast for a young brunette woman named Brigitte (Jeanette Hain) whom has stayed the night with him. The two part awkwardly, and as Michael watches a Berlin S-Bahn pass by outside....

The film flashes back to another tram in early 1958 Neustadt, West Germany during a rainy winter day. An unhappy-looking teenage Michael (David Kross) gets off but wanders around the streets afterwards, finally pausing in the entryway of a nearby apartment building where he starts to vomit. Hanna Schmitz (Kate Winslet), the tram conductor, comes in and assists him in returning home.

Michael is diagnosed with scarlet fever and must rest at home for the next three months. All Michael can do is examine his stamps and bide his time.

After he recovers as the spring season arrives, he returns to the apartment building to deliver a bouquet of flowers to Hanna at her apartment and thanks her. She is matter of fact with him but asks him to escort her to work on the tram line. However, when she catches him spying on her as she dresses, he runs away in shame. When he returns to apologize a few days later, she seduces him. He persuades her to tell him her name -- Hanna. Michael returns to her every day after school, rejecting the clear interest of girls his own age. The two begin an sordid affair that lasts through that spring and the summer when he is off from school. Their liaisons, all at her apartment, are characterized by her asking him to read literary works he is studying in school, such as ''The Odyssey'', "The Lady with the Dog" and ''The Adventures of Huckleberry Finn''. He sells his stamp collection so they can go on a bicycling tour in the countryside. When Hanna is promoted by the tram company to a better paying position and an office job, she becomes unsettled. When Michael arrives at her apartment for one of their trysts, she suddenly snaps at him when he tries to read her Chekhov's "The Lady with the Dog." They make love one last time and she then moves away without telling him where she is going. Michael is heartbroken.

Eight years later in 1966, Michael is now age 23 and attends Heidelberg Law School. As part of a special seminar taught by Professor Rohl (Bruno Ganz), a concentration camp survivor, he observes a trial of several women who were accused of letting 300 Jewish women die in a burning church when they were SS guards on the Death marches following the 1944 evacuation of Auschwitz concentration camp. Michael is stunned to see that Hanna is one of the defendants. He visits a former camp himself to try to come to terms with this. The trial divides the seminar, with one student angrily saying there is nothing to be learned from it other than that evil acts occurred. He tells Rohl that the older generation of Germans should kill themselves for their failure to act then and now to stop the Holocaust.

The key evidence is the testimony of Ilana Mather (Alexandra Maria Lara), a young Jewish woman who has written a memoir about how she and her mother (Lena Olin) survived. When Hanna testifies, unlike her fellow defendants, she admits that she was aware the whole time that Auschwitz was an extermination camp. She also admits that all the SS guards, herself included, would randomly choose ten prisoners each. These prisoners would then be executed to make way for the new prisoners that arrive so that overcrowding does not occur.

In Hanna's case, she would choose the physically weak and less able-bodied prisoners to their deaths. She would also make the prisoners read to her; every evening Hanna would randomly choose one female prisoner to read a book to her in her office before taking them back to their cell, as she takes great enjoyment in being read to. Every prisoner that would read books to Hanna would be later killed.

Further charges against Hanna whilst an SS guard also included 300 counts of murder brought about when an aerial bombing raid by the allied forces accidentally hit a church where the prisoners where sleeping for the night. The church's roof collapsed and a fire ensued. The prisoners tried to escape the burning church however all exits were locked. The SS guards, Hanna included had the power to unlock the exits to let the prisoners escape, but they did not. Only two prisoners survived, (Ilana Mather and her mother).

Hanna strongly denies that she personally authorized a report to lock the church exit doors preventing the prisoners to escape, despite pressure from the other defendants. When the prosecutor produces a document with Hanna's signature on it authorizing the church incident, she continues to deny the charges by claiming that someone forged her signature. However, when she is asked to provide a handwritten sample of her signature to compare it to the signature on the document, Hanna suddenly retracts her denials and admits to signing the document.

In the courtroom audience, Michael then realizes Hanna's secret: she is illiterate and has made many of her life choices to conceal that. Even her choice to join the SS was made because of her desire to avoid a job promotion meaning she would have had to reveal her illiteracy. Without being specific, Michael informs Rohl that he has information favorable to one of the defendants but is not sure what to do since the defendant herself wants to avoid disclosing this. Rohl tells him that if he has learned nothing from the past there is no point in having the seminar.

Hanna receives a life sentence for her role in the church deaths while the other defendants get prison terms of a few years. Michael soon graduates from the law school and gradually becomes a successful lawyer. He marries a young woman, named Marthe (Karoline Herfurth), and together they have a daughter whom they name Julia. But Michael remains emotionally withdrawn. His marriage ends a few years later when Marthe leaves him, and he becomes distant from his daughter. Rediscovering his books and notes from the time of his affair with Hanna, he re-establishes contact with her by reading some of those works into a tape recorder. He sends the cassettes and another tape recorder to her in prison. Eventually she uses these to teach herself to read the books themselves from the prison library, and eventually writes back to him.

Michael does not write back or visit, but keeps sending audio tapes. In 1988, the prison's warden writes to him to seek his help in arranging for the aged Hanna after her forthcoming release on parole. He reluctantly agrees to sponsor Hanna. He finds an apartment and job for her but when he visits her for the first time, one week before she is to be released, he is aloof to her. She tells him that before the trial, she never thought about what she did as a SS guard, but thinks about nothing else now. After he leaves, she commits suicide by hanging herself in her cell and leaves a note to Michael and a tea tin with cash in it. In her will, she asks Michael to give her life's savings to the family of one of the prisoners at Auschwitz.

Later, Michael travels to New York. He meets Ilana (Lena Olin in a dual role) and confesses his past relationship with Hanna to her. He tells her that Hanna was illiterate for most of her life but that her suicide note told him to give both the cash, some money she had in a bank account and the tea tin to Ilana. After telling Michael there is nothing to be learned from the camps and that he should go to the theater if he is seeking catharsis. Michael suggests that he donate the money to an organization that combats adult illiteracy, preferably a Jewish one, and she agrees. Ilana keeps the tea tin since it is similar to one she herself had owned before being sent to the camps, where it was taken from her to be melted down.

In the present day of 1995, Michael reunites with his daughter, Julia (Hannah Herzsprung), now age 21, who has just returned from a year in Paris. He admits his failings as a father and drives her to a church that he and Hanna had visited during their bicycle tour nearly 40 years earlier. He shows her Hanna's grave and begins to tell her his and Hanna's story.

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Watch Changeling 2008 Full Movie Online Uk Streaming

Streaming Changeling 2008 Online Free Movie Download

• Title: Changeling
• Year: 2008
• Duration: 2h 21m
• Rating: 7.7
• Genres: Drama, Crime, Biography

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Summary Changeling 2008

Grief-stricken mother Christine Collins (Angelina Jolie) takes on the L.A.P.D. to her own detriment when it tries to pass off an obvious impostor as her missing child.

Los Angeles, 1928. Single mother Christine Collins (Angelina Jolie) returns from work to find her nine-year-old son Walter (Gattlin Griffith) gone. She calls the L.A.P.D. to initiate a search. Five months later, a boy is found in Illinois who fits the description, and he says he's her son. To fanfare and photos, the L.A.P.D. reunite mother and son, but she insists he's not her boy. The cops dismiss her as either a liar or hysterical. When she joins a minister in his public criticism of the Police, they in turn use government power to silence and intimidate her. Meanwhile, a cop goes to a dilapidated ranch to find a Canadian lad who's without legal status; the youth tells a grisly tale. There's redress for murder; is there redress for abuse of power?

Single parent Christine Collins (Angelina Jolie) is a supervisor at the local telephone exchange, who, having returned home late from having to work overtime on a Saturday, finds her nine-year-old son Walter (Gattlin Griffith) is missing from their home. As the days and weeks go by, the Collins case becomes the object of a campaign by Pastor Gustav Briegleb (John Malkovich), who rails against the incompetence and corruption of the Los Angeles Police Department. Soon, the Police arrives with the news that they have found her boy, but when the lad is turned over to her, she realizes that the Police have returned a stranger to her in an attempt to bring an end to the public complaints about their handling of her case. Her attempts to get justice bring her into conflict with the L.A.P.D., who will go to any length to protect their reputation. When she continues to complain, she finds herself arrested and confined to the mental ward.

In March, 1928 in Los Angeles, California, Christine Collins (Angelina Jolie) lives with her beloved son Walter (Gattlin Griffith) in Lincoln Heights. When she is assigned to work overtime on Saturday at Pacific Telephone and Telegraph as supervisor, she promises Walter she will return at 4 p.m. to watch the latest Charlie Chaplin movie at the movie theater with him. However, she arrives home late and does not find her son. After seeking out the boy in the neighborhood, she reports the missing child to the Police, but the Police Officer tells her that she should wait twenty-four hours to register the complaint. Five months later, Captain J.J. Jones (Jeffrey Donovan) communicates to Mrs. Collins that her son had been found in DeKalb, Illinois, and is heading back home by train to be reunited with her. In the train station, Christine does not recognize the boy as being Walter, but Captain Jones advises her that his appearance has changed during the five months. Soon, she confirms that the boy is not her son, but the corrupt L.A.P.D. does not accept her arguments. When Mrs. Collins is approached by St. Paul Presbyterian Church Pastor Gustav Briegleb (John Malkovich), who daily broadcasts protests exposing corruption in the Police force, she decides to disclose to the press the evidence she has about the changeling. However, the abusive Captain Jones sends Christine to an asylum to intimidate her. Meanwhile, the efficient Detective Lester Ybarra (Michael Kelly) is assigned to arrest and deport an illegal Canadian boy who was hidden on a ranch in Wineville. He captures the boy, who discloses hideous crimes committed by his compatriot Gordon Stewart Northcott (Jason Butler Harner).

Synopsis Changeling 2008

On March 9, 1928, Christine Collins (Angelina Jolie) wakes her son Walter (Gattlin Griffith). After measuring his height against the wall gets him ready for the school day (joking around with him the whole way). She drops him off at school and goes to her job as a supervising phone operator at a Los Angeles telephone company. At the end of the day she picks Walter up at school on a cable car and he tells her that he got in a fight when another student said that Walter's father hated him. Christine corrects him by saying his father didn't even know him, so how could he hate him. Christine then explains that Walter's father was merely frightened of the responsibility that came with Walter and took off before he would have to deal with it, and Walter smiles and accepts this explanation. The next day Christine gets a phone call early saying that she has to come in since one of the other girls was sick. Eventually she agrees, disappointing Walter with the news that they have to go to the movies tomorrow, to which he sighs but nods. She tells him that there's a sandwich for him in the fridge and reminds him that a couple neighborhood girls will be by later to check on him, and she then heads out.

At the phone company, Christine is getting ready to leave when her boss Ben Harris (Frank Wood) stops her. He notes that she's done a great job as a supervisor and says that there may be an opening for a full-time assistant manager. She thanks him for the opportunity and they agree to discuss it over dinner the next night (although he obviously wants it to be more date and less business). Floating on cloud nine, Christine goes home and finds Walter missing. She searches the whole neighborhood and asks other children, but no one has seen him. Finally she calls the police, but is told by the man who answers, Detective Lester Ybarra (Michael Kelly) that most missing children turn up by morning and she shouldn't worry, he's probably just somewhere in the neighborhood and lost track of time, and that she's saying nothing that other mother's who've called haven't said. He offers to take her address, but she hangs up. The next morning, a police car comes and two cops take down her information and info on what Walter looks like, including taking a picture of him.

During the next few weeks, we see the investigation in various stages, led by captain J.J. Jones (Jeffrey Donovan), the head of the missing persons department. While they are conducting their investigation, Christine is doing her own investigation, calling various cities as far away as Las Vegas on a regular basis and seeing if any children fitting Walter's description have been found. At the same time, we see radio preacher Rev. Gustav Briegleb (John Malkovich) praying for Christine and for the safe return of Walter with his congregation (despite the fact that neither she nor Walter are members of his parish) while at the same time lambasting the corrupt and lazy police force. After five months of this, though, they are no closer to finding Walter than when they started. Meanwhile, in a town in Illinois called Dekalb, we see a man and his son (Devon Conti) at a hole-in-the-wall diner. The man reaches for his wallet to pay but realizes he forgot it at home. The owner gets pissed but decides to give the man twenty minutes to get to his house, pick up his wallet, and return to pay (with his son left as collateral). After two hours of waiting, though, the owner, now both angry and worried for the kid, decides to call the cops.

Back in Los Angeles, we see Christine moving listlessly through her job when Jones and Lester show up with some good news for her -- they have found Walter. After a big celebration at the company, Jones and Lester, along with Chief of Police James E. Davis (Colm Feore) escort Christine to the train station where in the midst of a big media circus she is reunited with....the boy from the diner. She states that that is not her son, and Jones explains how five months in captivity can both change how a person is remembered and how he or she looks in real life. Jones then asks the boy who he is and his address, and the boy gives the correct answers, but in a tone of voice that makes them sound like lines memorized for a play. Despite this, Christine eventually states that Jones may be right and after posing for a photo with "Walter" for the newspapers takes him back home.

That night, Christine and the boy are having dinner and she begins noticing things. First, the boy doesn't use manners, something Walter had been studious about. Second, and even more glaring, she notices as she is toweling him off after a bath that he is circumcised. Her eyes narrow and she drags the boy to where she had measured Walter back in March, only to find that this child is three inches shorter than Walter at the same time. This prompts her to visit Jones, who assures her again that they found the right boy -- almost demanding it, actually -- but he agrees to send a doctor over to verify.

The next day, Dr. Earl W. Tarr (Peter Gerety) arrives for the examination, but he barely does more than check for a sore throat before giving Christine the same spiel Jones gave her, only now including such tidbits as the fact that the spine can shrink in stressful times and that the kidnappers may have circumcised the boy themselves. She still refuses to believe this, though. That night, the boy is going to bed in Walter's room when he makes the mistake of saying "Good night, mommy", which causes Christine to fly into a rage, flinging a plate against the wall near his head and screaming that she wants her son back. Later, after the boy is asleep, she goes into Walter's room and apologizes to the boy for yelling but again asserts that they are not related. The next morning, Christine is woken by a phone call from none other than Gustav, who tells her to read the front page of the times and then stop by his church for breakfast. Sure enough, the days article is about her denying that the boy is her son despite the best efforts of the valiant officers and indisputable evidence that the boy is her son and how the police fear for the child's blah-blah-blah. Gustav then tells Christine the story of how Davis became chief and his first action was to give the biggest, toughest cops machine guns and then let them kill all the criminals they could -- not to eliminate crime, but to eliminate the competition. He then warns her of what she may be getting herself into, but notes that if she pulls this off, she could be the last woman to have the wrong child returned.

We then see Christine at Walter's dentist, who notes that Walter had a piece of muscle preventing the gap between his teeth from closing, which this boy does not have -- his teeth are even, something which he is eager to put in writing for her. The case is the same with school, where Walter's teacher is not remembered by the boy despite her teaching Walter for over a year and when "Walter" is unable to find his assigned desk, giving the teacher ample cause of her own to put her belief that this is not Walter Collins in writing, along with a promise to testify in court. Soon, we see Christine on the steps of a courthouse telling reporters that the police were wrong and she has proof of it. Naturally, this angers Chief Davis to no end and he orders Jones to take care of it. Jones has Christine and the boy brought in and after a heated "conference" wherein he calls her either delusional or a liar (or a pathological liar), he asks her one more time if that boy is her son. When she says no, he nods to two people and they take her away to an insane asylum where after being subjected to a very crude and harsh entrance examination series she is to be held for her own safety and the safety of the boy until such time as she can demonstrate that she is sane and capable of taking care of herself and the child.

Meanwhile, in Wineville (modern-day Mira Loma), near Riverside, we see Lester investigating a missing child report regarding a kid from Canada. He pulls over at one point to ask a stranded motorist for directions to the Northcott Ranch. The motorist, who just happens to be Gordon Northcott (Jason Butler Harner), the owner, pales a little and happily gives him the directions. Lester thanks Northcott and heads on his way to the seemingly deserted homestead. After poking around some he finds his quarry, one Sanford Clark (Eddie Alderson), and informs him that he's going back home to Canada as at the same time we see Northcott in a train station, trying to buy a one way train ticket to Canada, although the best he can do is get a ticket to Seattle where he would then have to either hitch, rent a car, or walk across the border.

Back with Christine (who has missed her appointment to appear on Gustav's show, much to his disappointment), we see her having her first breakfast in the asylum. She meets a woman named Carol (Amy Ryan) who is both sane and aware of her situation. Like Christine, Carol and a number of other women there were all brought in under a "Code 12" designation, which, while loosely defined, essentially means that they pissed off a police officer in some way, with Carol's reason being that she was someone who "worked" nights (to which Christine blushes) when a customer got a little rough, but when she filed a complaint, she found out that the customer was a cop. The available options, according to Carol, are to either keep your mouth shut and go home; behave by the asylum's rules and stay in one piece, but on the inside; or fight the system and end up with repetitive shock treatments. After breakfast, Christine has her first appointment with the head doctor, Dr. Johnathan Steele (Denis O'Hare). Christine tries to behave like she needs to to get out, but his dismissive treatment of her and accusations of lying/craziness, coupled with the photographic evidence of her posing with the boy in a front page article about mother and son being reunited, eventually cause her to start stuttering and trying to explain which only ends up making her look more insane, much to her dismay.

Meanwhile, we see Sanford in a waiting room somewhere with other kids, one of whom keeps banging a ruler up and down, causing Sanford to see a man with an axe hitting something and covering himself with blood every time the ruler comes down. After a while, he is brought in to see Lester and Lester asks why Sanford wanted to see him again. Sanford then tells Lester the story of how he had intended to only stay with his cousin at his ranch for a little while, but was eventually forced to stay there. Lester lights a cigarette and starts asking what that has to do with it, and Sanford tells them of something they would do. Every now and then, they would go driving in the city and pick up a boy who was alone by saying that his parents were in the hospital and they needed him to come with them now. According to Sanford, if just an adult asked, the kid would automatically refuse to get in, since they wouldn't take a ride from strangers. However, if they saw that there was already a kid in the car -- a kid like Sanford, for instance -- then it must be okay to get in. After they had the boy, they would take him back to the ranch and lock him up inside the chicken coop on the grounds, sometimes with as many as four or five others. Once things started to get crowded, Northcott would take some of the boys and hack them to death with an axe....except sometimes, he wouldn't go all the way, and he would force Sanford to finish. In either case, Sanford would then have to dig a grave and bury the bodies on the grounds.

By the end of this story, Sanford is in tears and Lester is in shock, with his cigarette having burnt all the way down without having been smoked. Pulling himself together, Lester asks if Sanford would remember the faces of those boys and Sanford nods yes. Lester pulls out a stack of pictures of missing boys and Sanford starts going through them. He puts the ones he recognizes face up on the table in front of him, eventually creating a pile of ten or fifteen pictures, with only a few rejects. Lester starts going through the recognized pile, looking at the names on the back. He pulls out one and asks Sanford if he's sure, and Sanford nods. Lester whispers, "Jesus Christ," and puts the picture, which is labeled "Walter Collins -- Age 9" on the table. He heads out of the room, grabs two other cops, and after grabbing Sanford and telling the cops he'll explain on the way, heads out.

The next day, Christine is having another "talk" with Steele and, after noting that she is having to be force fed her medication, informs her that if she is willing to sign a contract saying that she was wrong and the police found the right boy, then she could go home first thing tomorrow morning. She refuses and grows angry, causing the doctor to yell for an orderly, who drags Christine out of the room kicking and screaming. Carol, who is near all this, comes to Chrstine's defense by fighting with several of the nurses and orderlies and even going so far as to punch the good doctor. Naturally, this unruly conduct gets her some time in the shock treatment room. When Christine checks on her later, Carol admits that she's been pregnant twice and lost the baby twice. She tells Christine that the important thing is to keep fighting, and as for the doctors and orderlies...."Fuck them and the horse they rode in on." Christine laughs at this unladylike remark and Carol says that there's a place and time for being ladylike, and this is neither.

Meanwhile, Lester and his crew (including Sanford) reach the ranch and after securing the site they grab a shovel and tell Sanford to show them where the bodies are buried. He takes them to a spot that may once have had a small coop but now holds just the base of it, the rest having perished in a fire. Lester tells Sanford to start digging, which he reluctantly does, eventually unearthing first a shoe with a skeletal foot, then a hand, then a pair of ribcages. As Lester's partners recoil in shock and/or disgust, Lester steps forward and tells Sanford to stop, which, after a brief struggle, he does, collapsing in the dirt and crying.

Later, Jones is talking with Lester on the phone about Lester's discovery and the implications, especially those in the Collins case, when Gustav shows up with an army of lawyers demanding Christine. Jones quickly tells Lester to just get Sanford to the station and confronts Gustav. Fortunately (except for Jones), Gustav is able to get Christine's current location. The day after, we see Christine at roll call (where the inmates stand outside their doors to be counted). Steele asks Christine if she's ready to sign the contract and she says proudly, "Fuck you and the horse you rode in on." Steele orders immediate shock treatment and heads for his office just as Gustav is barging in with his army. As Gustav yells at the head nurse to bring Christine out, an order is given to nurses in the shock room to let Christine go and bring her to Steele's office. He tells her that she can leave, which she does without knowing quite why. As she departs, we see the headline on the paper he is holding -- "Bodies of missing children found at ranch -- Collins child believed dead" (not exactly it, but close enough). Christine walks outside and overhears a newsie shouting the headline and faints, but Gustav is suddenly there to catch her and take her home.

Sometime later, we see the fake Walter being interviewed by Lester. He claims innocence, but Lester says that given the Collins boy's death, he could be charged with accessory to murder. The kid doesn't believe it, but when Lester mentions that Sanford is going to jail at only fifteen (probably not true), he starts talking. Meanwhile, in Vancouver, we see Northcott arriving home at his sister's house. She welcomes him and after saying hello she invites him to go upstairs and clean up. As soon as he does, though, they hoof it and call the mounties, who are soon arriving to arrest Northcott.

Back in the states, Christine receives a visit from Gustav. He has brought a friend with him who he introduces as S.S. Hahn (Geoffrey Pierson). Gustav asks Caroline what her next step is and she brings up the idea of a civil case against the whole department. In turn, Gustav notes that he tracked down the only lawyer to go up against the city four times in civil cases and wins, but that he was much costlier than Gustav could afford. Christine nods sadly, at which point Hahn says that that's why he's doing this case pro bono. On top of that news and the subpoenas being filed against the department, including Jones and the chief, Christine and her new friends also manage to get all the women in the asylum that were placed there under Code 12 released -- including Carol, who shares a warm smile with Christine as she makes her way out.

About two weeks after this all started, on October 4, 1928, we see Christine and company heading into the courthouse amidst a swarm of people all carrying signs insulting the integrity of the LAPD. Inside the court, we see representatives of all parties gathered except for the LAPD. A recess is called, to the committee heads displeasure, and Christine is taken to a separate courtroom where the trial of Northcott is being held and where he enters a plea of "Not guilty". In the audience, a woman taps Christine on the shoulder and identifies herself as Leanne Clay (Lily Knight), a mother of one of the boys Northcott killed, which gives the two women an instant connection. On the same day, we see the fake Walter -- really a boy named Arthur Hutchins -- being reunited with his real mother by a smiling Chief Davis, who wants the press to note that the LAPD does many good deeds despite the bad deeds undertaken by a minority of the department. Unfortunately for him, this line gets derailed once the boy pipes up that it was the police who told him to be Walter Collins, which has Davis all but shoving the boy onto the train just to get rid of him. At this point, clips from each trial are shown, with people such as the Chief, Walter's teacher, and Walter's dentist testifying.

Most prominently shown is a clip of Captain Jones being interviewed wherein Hahn gets him to admit that he sent Christine to the mental hospital without warrant or cause. Eventually, the trials are concluded and verdicts are reached. For Northcott's case, it ends with him being found guilty, at which point he pauses to say that he hates everyone in the courtroom except for Christine, who he calls a real classy lady. He is sentenced to solitary confinement at San Quentin prison until October 2, 1930, at which point he will be hung from the neck until dead. In the civil trial, the decree is that Jones shall be permanently suspended (re: fired); Davis shall be demoted from his position as chief; and an internal review of the steps needed to allow someone to be committed shall be undertaken so that events such as those which allowed Christine and the other women to be committed so easily shall not happen again.

Two years later, on September 30, 1930, we see Christine at work. She takes her ten-minute "break", which consists of calls to missing child departments, when she is interrupted by none other than Hahn, her old lawyer friend. He informs her that Northcott has requested that he see her so he can tell her face to face what really happened to Walter. She goes down the next day but once the two are together, Northcott clams up. He says that he has confessed to God and been forgiven by Him and claims again that he never killed Walter, who he had called an angel at the trial, and that he does not want to lie now, lest he go to Hell. Christine demands to know what happened and that he tell the truth, even going so far as to throw him against the window to get him to talk, but it has no effect. She stays for the hanging the next day.

Northcott is calm and detached, making conversation with the reverend and saying he has no final statement. He loses control on the steps to the noose, though, and is carried up by two guards. A bag is placed over his head and the noose is fitted as straps are tightened around his body to ensure a minimum of struggling, lest the rope break and the whole thing be ruined. As the time approaches, Northcott strangely begins to sing "Silent Night". At the appointed time, the warden nods and the floor drops. Northcott jerks briefly, but after a minute is still.

Years pass. We next see Christine on February 27, 1935. Her operator friends are holding an Oscar party at one of their houses, but Christine declines, saying that she has too much work. Ben pops his head in her office and also asks, but she declines.... although after a moment, she tells him that if "It Happened One Night" (her pick for best picture) wins best picture over his pick, "Cleopatra", then she'll have dinner with him tomorrow night. Sure enough, that is just what happens. As she grins in her office, the phone rings. She picks up expecting it to be Ben, but is instead surprised by Leanne Clay, who says that they found one of the missing boys.

Christine runs to the Lincoln Heights precinct and meets with Leanne and her husband, who are watching in a viewing room as Leanne's son David (Asher Axe) is interviewed by Lester. David says that he was in there with four other boys -- two brothers named Winslow, a kid named Joseph...and Walter. One night, three of the boys staged an escape thanks to some loose fence on the coop. Joseph and Walter got out quickly, but David got stuck on the fence. As Walter runs back to get him loose, lights are turned on in the house and Northcott and Sanford realize that the kids are missing. Walter frees David and the two run for it as Northcott tried to give chase. They all went in separate directions, and David never saw either of the other boys again.

Eventually he found a house where a woman took him in, and that's where he had been staying until coming forward. Lester asks why he waited, and David says that he was scared that he'd be blamed for some of the deaths or that he'd be in some kind of trouble, at which point his parents come in and engulf him in a huge family hug, which Lester almost breaks up before deciding to let them have their moment. He and Christine head outside and he consoles Christine, saying that what Walter did was incredibly brave. She agrees and he asks what she'll do now. She smiles at him and says that if David escaped and survived, then maybe that means that Walter and the other boys also did, and that maybe Walter is out there right now, alive but afraid to come forward, thinking that something might happen to him or to his mother. Whatever the case, she says, she now has something she didn't have before. Lester asks her what that is, and she looks him in the eye and says simply, "Hope."

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Watch Streaming In Bruges 2008 Full Movie Streaming Online Free

Watch In Bruges 2008 Online Free Movie Streaming

• Title: In Bruges
• Year: 2008
• Duration: 1h 47m
• Rating: 7.9
• Genres: Drama, Comedy, Crime

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Summary In Bruges 2008

Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.

London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own problems, not only with Harry, but with a Canadian couple and a half-blind thief named Eirik. Ray hopes he can count on both Chloe and Ken to help him carve out a new life for himself. In the end, Harry, involved in an incident with Jimmy, may have to keep to his own principles.

A Christmas story. Should one who killed a child be allowed to live? Harry Waters, a London thug, sends Irish hitmen Ken and Ray to Bruges to lie low after a job goes awry in a London church. Ken's the old hand, fascinated by the Medieval, with a fatherly attitude toward Ray, who's young and bored but chastened after the London job. Ray's disposition changes when he meets Chloë, a hip young woman who sells drugs on the local set of a movie featuring Jimmy, an American dwarf. Harry calls with irrevocable instructions. Ken balks, setting up a showdown in the town square. A pregnant innkeeper, dumdum bullets, and a code of conduct play into the resolution.

The Irish hit-men Ken and Ray are sent by the Londoner mobster Harry Waters to the medieval Belgium city of Bruges in Christmas after an awry job in a London church. Ray bungles it. While Ken enjoys the historic city, Ray feels completely bored and misses his home. Ray meets the small time drug-dealer and crook Chloë, who sells drug to the cast and crew of a movie that is filmed in Bruges, and has an incident with a Canadian tourist and later with Chloë's boyfriend. Meanwhile Harry, who has an stringent code of principles, gives Ken special orders.

Synopsis In Bruges 2008

The movie, a very dark comedy, begins in Bruges (a beautiful medieval city in Belgium) with two Irish hitmen, Ray (Colin Farrell) and Ken (Brendan Gleeson) are standing in a city square checking out the scenery. Instantly we see that Ken is enchanted with Bruges while Ray loathes the place. It is revealed that due to what happened in London they have no choice but to follow orders, stay in Bruges, lay low and wait for further instructions from Harry (Ralph Fiennes). Ray asks Ken how long he thinks they will have to stay in Bruges; Ken responds that he doesn't know, maybe two weeks. Again, we see that Ray is not happy about spending two weeks, let alone two hours, in Bruges. To add insult to injury it is Christmas and there is only one available room in the city (although at least it has two twin beds). During one of the first scenes in the hotel room Ken alludes to the incident in London indicating that they wouldn't be in Bruges if not for what happened, driving Ray to abruptly cut Ken off and retreat to the bathroom where he cries, distressed over whatever it was that occurred.

Later Ray makes comments about Harry sending them to, say...the Bahamas...instead of this "bleeping" city of Bruges. Ken advises Ray to make the best of it, for starters why don't they climb up the tower in the square and take a look at the view. Ray snidely says, "no, he can see the 'bleeping' view just 'bleeping' fine from where he 'bleeping' is. Rays takes a seat (rather frustratedly) on a park bench and Ken goes off to climb the tower. The cost of going up the tower is 5 Euros for which Ken has change but is one coin short. Ken asks the cashier/guard to give him a break but the guy impatiently points out to Ken the sign that clearly states 5 Euros. Ken isn't pleased at having to break a large bill or the cashier's refusal to cut him some slack but he pulls out a 50 Euro note and gives it to the cashier anyway putting the 4.90 in change back in his pocket (important later). Ken walks up the very narrow, winding stairs to the top of the tower and looks out over Bruges enjoying every second. He looks down on the square and sees Ray sitting on the park bench with his arms crossed over his chest. At that point a hint to the nature of Ray and Ken's line of work is alluded to when Ken makes a gun of his fingers and "shoots" Ray.

The scene changes to Ray down in the square who is approached by a family of three very large Americans who virtually stand on top of Ray without a clue as to who Ray is and begin to ask him if he has been to the top of tower. Again, Ray snidely responds that no he bleeping has not. The Americans are shocked and ask him why he doesn't want to go? Ray says he just doesn't want to and they shouldn't either (clearly because of their size though Ray doesn't come out and say it - yet). This back and forth exchange goes on with the Americans clearly wondering if Ray is saying what they think he's saying until Ray blurts out that they shouldn't go up because they're a bunch of bleeping elephants. The father explodes and haplessly tries to chase Ray, with Ray simply running in small circles dodging the American who can barely catch his breath after five seconds. The father gives up, the mother and daughter call Ray nasty names and they head off to go up the tower, meeting an oblivious Ken coming out the door who innocently advises the large family to watch out for the narrow stairs only to be called a bleeping a-hole by the daughter. Ray shrugs to a stunned Ken as if he has no idea why the Americans are so upset.

That evening Ray and Ken happen upon a movie being filmed on the city streets. Much to Ray's utter amusement the movie includes a dwarf to which Ray exclaims "Holy shit, they're filming a movie about bleeping midgets!" While watching the filming of the movie, Ray catches sight of Chloe (Clemence Poesy) and is in awe of her and also mistakenly believes her to be a celebrity when in fact it turns out she is far from it. Rays stays to watch the filming and Ken goes back to the hotel room to see if Harry called. Ray sneaks on to the movie set and gets a cup of coffee from the food area behind Chloe who is helping herself as well. They have a little flirtatious exchange including discussion about midgets whom Chloe explains prefer to be called dwarves. Ray and the dwarf, Jimmy, are introduced and Ray's amazement at Jimmy is obvious and totally irreverent. Chloe and Ray continue to talk resulting in Ray asking Chloe out for dinner the next night. Chloe walks away, dropping a calling card over her head much to Ray's delight.

The scene moves to Ken back at the hotel picking up a handwritten message from Harry, which the pregnant hotel proprietress has left for them. Harry is extremely ticked off that Ray and Ken were not in when he called and the "f" word is used liberally. The proprietress took the note verbatim and left nothing out. Ken is a bit embarrassed by the whole thing and goes to bed. Ray comes home and makes little effort to be quiet and not awaken Ken. He clearly wants to tell Ken all about his night and his planned date with Chloe the next evening and Ken clearly wants to go back to sleep. Ken tells Ray that Harry called and he will call again the next evening. Ray suggests it isn't necessary for both of them to be there and considering he already has a date would Ken wait by the phone and let Ray go out with Chloe. Ken agrees as long as in exchange they go sightseeing during the day. We see that though of different personalities Ken is fond of Ray in a de facto father-son way but won't come out and show it (and vice versa).

The next day Ken and Ray are touring an old church. Ken is giving Ray the history of the church including the fact that some part of the church behind the alter is so old it may have been touched by God and touching it would be like touching God himself. Ken clearly wants Ray to appreciate the significance of this but Ray doesn't get it or doesn't want to and passes on the opportunity to (in Ken's eyes) begin to redeem himself for what happened in London and walks out of church instead leaving Ken behind. Ray walks out and sits on a bench. Across the street, he sees Jimmy walking and waves to him enthusiastically. Jimmy doesn't acknowledge him leaving Ray annoyed.

The scene then flashes back to the incident in London. Ray is sitting in a confessional admitting to a priest (an uncredited Ciaran Hinds) that he is a hit man and he kills only for money. Not for revenge or out of anger, just for money. The priest who is quite dismayed by this confession asks Ray who he killed and Ray replies, "You" and shoots him. The priest stumbles out of the confessional and manages to make his way to the doorway into the church itself where Ray shoots several more bullets into his back. Before falling dead to the floor, the priest faintly says "a little boy". Ray looks past the dead priest on the floor and to his horror sees and young boy, perhaps 4 or 5 years old still kneeling in prayer with a clean but blood-filled bullet hole through his otherwise pristine forehead. One of the bullets went through the priest and struck the child. The little boy then crumples to the floor, dead, with a note in his hand indicating he was praying to God to do better in Math and other simple, childhood concerns. Ray goes to the boy but it is too late and the scene ends with Ken rushing to Ray and dragging him out of the church. This is the incident that drove Harry to send Ken and Ray to Bruges to lay low and what is - despite all of Ray's bluster and bravado - killing him inside. Ray is tormented with grief and guilt over accidentally killing the child.

The next night Ray and Chloe are sitting at a table in a restaurant where Chloe is smoking her cigarette much to the dismay of a nearby couple who don't appreciate smoke in their face. In an unexpected and oddly honest exchange Ray reveals he shoots people for a living and Chloe reveals she deals drugs to movie sets and neither seems the least bit concerned about the other's career choice. Ray also reveals his inability to be tactful by first shamelessly insulting Bruges (Chloe's hometown) and then going out of his way to think of a crass joke about Belgium and child molesters. Instead of being repulsed by Ray's sensitivity Chloe shows she can give as good she gets. Chloe goes to use the bathroom and the annoyed man at the next table mutters how un-bleeping "unbelievable" it (she) is. Ray hears the guy's comment and tries to ignore it but can't and asks the guy what the hell he meant to which the guy rudely tells Ray he doesn't appreciate Ray's girlfriend blowing her cigarette smoke in his and his girlfriend's faces to which Ray points out that they are sitting in the smoking section to which the guy says he doesn't bleeping care and the conversation turns into a bit of a political tit-for-tat with Ray assuming the guy is an American and therefore arrogant and imperialistic and mentions something about Vietnam which confounds the other guy and the whole thing ends up with Ray just flat-out punching the guy, then the guy's girlfriend entering into the fray and Ray punching her in the face as well. At this time Chloe comes back to the table, surveys the scene and they both promptly leave. Ray thinks Chloe hates him when in fact she seems intrigued by him and gives him a big kiss. She then goes to make a call (important later).

Back at her apartment, Ray and Chloe are very close to having sex when Chloe's boyfriend/co-conspirator (Erik) appears behind Ray with a gun to his head. Ray realizes he has been scammed, Chloe admits she and Erik have a habit of robbing tourists, Ray is pissed off because it's been months since he's had sex (he doesn't seem too concerned about the gun aimed at him) meanwhile Chloe yells at Erik asking him why he came. Obviously the phone call she made was telling him not to come as she didn't want to rob Ray. In fact it seems she really does like him. Meanwhile Erik still has the gun in his hand which Ray deftly takes with a very quick maneuver involving a head butt only to find out - when a now irate Erik brandishes a very large knife - it is loaded with blanks. Ray shoots the gun at Erik's eye at very close range and whatever makes up a blank sears Erik's eye causing him terrible pain. Erik is being very un-gunman-like, holding his hand to eye and whining pathetically. Chloe takes Erik to the hospital but on her way out tells Ray to call her.

In the meantime, Ken is at the hotel when Harry calls. Not wanting to tell Harry that Ray is on a date, Ken pretends Ray is on the toilet thinking this will suffice. But no, Harry wants to know if Ray is taking a poo or just a wee. Harry then asks if Ken and Ray love Bruges as much as Harry does (from a long-ago visit). Ken is befuddled but goes along with it culminating in Harry asking Ken to get rid of Ray for half an hour so they can talk in private still unaware that Ray is already out. Ken goes through a silly charade of pretending to get rid of Ray then there is much talk about how magical and fairy-tale like Bruges is. Harry asks Ken if Ray likes Bruges as much as they do and Ken begins to tell Harry that Ray isn't as charmed with the place much to Harry's disapproval. Ken recovers quickly and makes up a story about Ray walking through the city in the fog and saying something like "it's like living a dream" which pleases Harry very much because Harry just wants Ray to experience something beautiful because he "was" a good kid. The use of the past-tense alerts Ken to Harry's plan. We see Ken's concern that he just gave Harry the green-light he wanted to eliminate Ray. Harry makes it clear that Ken must kill Ray because Ray killed the boy, accidentally or not. Ken does not want to do this, knowing full well how stricken Ray is and feeling like Ray can redeem himself. Harry informs Ken that since they were sent to Bruges without weapons, arrangements have been made for a gun to be picked up at a contact's house in Bruges and the job must be completed ASAP.

Ken is conflicted with his orders, leaves the apartment and goes to a bar where he drinks 4 presumably Belgian beers in 20 minutes. Ken spies Jimmy at the other end of the bar sitting with a prostitute. In talking to Jimmy Ken learns he is American. Jimmy asks that Ken not hold it against him, Ken says he won't as long as Jimmy doesn't say anything too loud or crass. Ray then enters the same bar and upon seeing Jimmy promptly confronts him asking why he didn't wave back to him earlier. Jimmy apologizes saying he was high on horse tranquilizers (given to him by Chloe) and he didn't know what he was doing or who or where he was. Jimmy, Ray, Ken and now two prostitutes end up in Jimmy's hotel room doing drugs and making use of the prostitutes when Jimmy begins a political discussion about the inevitable race war the world is heading towards between the blacks and whites. Drunk and high, Jimmy is getting belligerent and preachy claiming the Pakistanis, the Vietnamese and basically anyone who isn't white will side with the blacks. Ray seems more amused with the prospect of a midget versus midget war while Ken is seriously annoyed because he was married to a black woman whom he loved more than anything and she was killed by a white man. He asks Jimmy given that info whose side will he be on in this supposed war. Jimmy retreats and says Ken will have to make that decision on his own. Ken is revealed to be a sensitive man capable of great love while also being a hit man. The night ends with Ken and Ray leaving abruptly and returning to their hotel.

The next day Ken goes to the contact's house to the gun to kill Ray. The contact is an oddball eccentric who advises Ken if he were to murder someone he would do it in one of the alcoves in the park because they are isolated this time of year. The contact seems focused on these alcoves and an irritated Ken takes the gun and leaves. He goes back to the apartment where the proprietress greets him in the lobby remarking on what an odd person Ray is. While Ken was gone Ray had given her what appeared to be his last 200 Euros and left to go to the park. Ken goes upstairs and sees a suicide note from Ray saying he went to the park so she (the proprietress) wouldn't have to clean up the mess. (Ray has Erik's gun and bullets he stole from Chloe's apartment.) Ken rushes to the park and sees Ray sitting on a bench by a playground. Ken reluctantly readies his gun and walks up behind Ray aiming to shoot him when Ray puts his own gun to his own head. Realizing Ray is about to kill himself, Ken rushes forward and stops him just in time. A surprised Ray turns around, sees Ken's gun and realizes Ken was just about to kill him. Each one wonders aloud what the other was about to do and it's obvious to both that Ken doesn't want to kill Ray or see him kill himself. Ray breaks down, Ken tells Ray to get on a train, leave Bruges and start over that Ray is no use to anybody dead. Ken explains what Harry is up to including the fact that he sent them to Bruges because he wanted Ray to have a vacation in a nice place before he died. This is quite comic considering how passionately Ray hates the place and the look on his face says it all. Ken tells Ray he can't bring back the little boy but maybe he can save another. Ray knows that Ken is risking his own life by not killing him. Ken hands Ray the 200 Euros he'd given the proprietress and puts him on a train but not before taking Erik's gun from Ray first, fearing that Ray will just try to kill himself again.

The train pulls out; Ken has made his decision and goes back to the hotel to tell Harry who is not pleased. Ken tells Harry to meet him in the square when he gets to Bruges knowing that Harry will come for him. Meanwhile on the train, Ray is at least getting the hell out of Bruges when a steward approaches Ray and accuses Ray of "heeting the Canadian". Ray has no idea what this guy is talking about when the anti-smoker from the restaurant appears and fingers Ray as the guy who attacked him. Apparently the anti-smoker was not an American but just a jerk Canadian. Ray is taken off the train and to jail... back in Bruges. Chloe bails Ray out and they wander over to the city center where they have a beer, Ray is unaware that Harry has now arrived from London and headed for the same square to meet Ken. First Harry goes to the gun contact's house where the guy goes on about the alcoves again to Harry and lo and behold the contact happens to be the uncle of Erik who is also there licking his wounds. We learn Erik was permanently blinded by the blank and wants Ray dead. Harry engages in an exchange where he puts the blame for the blindness squarely on Erik's own shoulders because he got shot by a blank from his own gun that he used in a half-assed robbery in which he held the gun to another man's head. To Harry, Erik got what he deserved and Erik is left speechless and red-faced. Back to Ray and Chloe who are drinking a beer at an outside cafe when Jimmy appears and invites them to watch the movie being filmed elsewhere. They decline but not before getting in one last laugh at the midget dressed in a school boy's uniform with a little cap on his head.

Harry has now caught up with Ken at the square and knowing that Harry will kill him, Ken asks that they at least go to the tower to get it over with. On their way they walk right past a kissing Chloe and Ray and no one sees the other. Harry and Ken approach the guard/cashier (the same guy from the beginning) who says the tower is closed because some American had a heart attack while climbing the steps the day before. Harry asks the guy to do him this one favor and the guard pulls the same shtick and pointing his finger squarely in the middle of (and on!) Harry's forehead taps out that "the tower is closed! Got it?! Ken knows this will not go over well with Harry and walks onward while in the shadows we see Harry beat the crap out of the guard. Harry and Ken then ascend the tower and upon reaching the top they each marvel at the beautiful view. To Harry's surprise, Ken gives up his gun, he says he will not fight. He says he has too much respect for Harry and owes him too much to fight anymore. He goes on about this until we think Harry is just going to shoot him when then Harry throws up his arms saying now he can't shoot Ken after the nice things he just said. Frustrated, Harry tries to explain to Ken why it is Ray has to be killed. Harry thinks Ray should have killed himself the minute he realized he'd killed the boy, that's what Harry would have done (important). Ken defends Ray saying he can be redeemed and what does it matter it's done, Ray's gone and no one knows where he's going. At this point Harry shoots Ken in the thigh (not a mortal wound) saying he couldn't just let Ken get away with letting Ray go. Everything seems to be resolved, Harry is carefully helping Ken down all of the stairs one narrow step at a time when Erik sees Chloe and Ray and they ask him to join them, but he walks away.

Knowing Harry is with Ken at the tower Erik meets them on the stairs and tells them that Ray is back in Bruges and he is right outside. Everything changes, both Ken and Harry go for their guns (Ken to shoot Harry to keep him from killing Ray and Harry to shoot Ken) and in the struggle that follows Harry shoots Ken through the neck but it doesn't kill him though there is a lot (a lot!) of blood. Harry runs down the stairs which apparently there are many of because in the time it takes for Harry to get halfway down a badly wounded Ken has dragged himself back up to the top of the tower leaving globby streams of blood in his wake. Ken reaches the top of the tower to try to warn Ray but the fog has moved in and he can't see anything. Ken then reaches into his breast pocket and puts away his gun, reaches into his pants pocket and pulls out the change and begins to drop the coins one by one from the tower which draws the attention of the people in the square below, including Ray and Chloe. Everyone looks up at the tower in time to see Ken launch himself off and onto the pavement below. Ken hits the ground with a sickening crush. Having seen the whole thing Ray runs over realizing at the last moment that it is Ken on the ground and he is barely alive. Ken tells Ray that Harry is in Bruges and to take Ken's gun from his pocket. A very upset Ray doesn't know what to do but he pulls the gun from underneath Ken only to find it too is broken in pieces from the impact. Frantic, Ray tries to get Ken to tell him where Erik's gun is but Ken tells Ray he's going to die now and does. Just then Harry runs out of the tower stairs and sees a dead Ken on the ground and a distraught Ray standing over him. Rays makes a run for it back to the hotel where he thinks Ken hid the gun. Harry gives chase shooting at him despite the presence of other people.

Back at the hotel Ray has just enough time to get the hotel room key from the proprietress and scream at her to get away somewhere safe for her and her unborn baby's sake. Ray runs up to the room, finds the gun then hears an altercation downstairs which is the proprietress blocking Harry's way with her pregnant belly and a stunned Harry looking at this woman in total shock. The woman says it is her hotel and she will not leave to which Harry has no response and Ray hearing all of this is furious. He calls down the steps to Harry saying they have to take their gunfight somewhere else where the proprietress will be unharmed. Not sure how to do that they clumsily devise a plan to move the fight elsewhere with their guns still trained on each other and a stupefied proprietress questioning their sanity and intelligence. The plan is since the hotel sits alongside a canal, on the count of three Ray will run back into his room, jump out the window and Harry can run outside to the bridge and try to catch him in the canal. Plan made, they both just stand there, each waiting for the other to start counting with the proprietress looking on in disbelief. Harry tells Ray to count to three. Ray counts, Harry runs out the door in time to see Ray leap from his window into the canal and onto a passing boat. Ray thinking he's far enough away from Harry not to be hit is surprised when Harry shoots him from the bridge square in the stomach.

At the first dock, Ray gets off the boat and continues to try to get away albeit badly hurt and again Harry gives chase. They end up at the location where Jimmy's movie is filming which is a very surreal scene with bizarre costumes and circusque people lingering around. Jimmy sees Ray and realizing something isn't right walks over to him at the same time Harry approaches Ray from behind and shoots him several times in the back just as Ray had shot the priest. We hear Ray faintly say "a little boy" before he falls over and crawls agonizingly over to the dead and horrifically disfigured body of Jimmy who was hit by one of the bullets in the forehead. Still wearing the little boy costume and unrecognizable facially, Harry sees what he thinks to be a child and saying "you have to stick to your principals" puts the gun in his mouth and kills himself.

The final scene is of Chloe screaming over Ray, as he's loaded onto a gurney and into an ambulance and his voice over talking about Heaven and Hell and Purgatory and no matter what he just doesn't want to die in Bruges.

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